I finished my Moon Lady dress. Yay! I'll be wearing it to the Gaskell Ball this weekend in Oakland by Lake Merritt. More yays!
I used Decades of Style's 1930's day dress as a base pattern. I altered the heck out of it. And roughly. I'm a rookie with alterations and in costuming in general. I made a mockup, literally just cut where I wanted the neckline changed (like the U-ish shape in the back), took it apart, and used it as the final pattern. For the skirt, I just eyeballed it it terms of alterations when I was cutting it out in the final fabric. I basically just extended the length on the skirt and made it grow wider at the hem (the pattern originally had the hem fall around mid-calf, but a bit longer on me, because I'ma shrimp). The fabric it a lovely silver cotton silk, 55% silk, 45% cotton. I think. Maybe it's the other way around. Anyhow, it has the brilliant sheen to it and it drapes really nicely.
I faced the neckline with the dame fabric and hand finished the sleeves and hem as the pattern instructed. Not too bad for my first time with that. The whole dress is hand sewn. I think I was just worried my machine would muss up the fabric, but I actually don't think that would have been an issue. The cotton content makes it great to work with, not so slippery. I used an invisible zipper, which I do not believe is period correct, but it worked okay in terms of hand sewing it in and I've decided to stick to snaps and plackets in the future with Deco-era clothes. Or not-invisible zippers.
The pictures really don't rock my world. I was having a bad hair and face day, so that didn't help. The pics really don't do the dress justice. Maybe I'll get better ones at Gaskell.
For a basic 1930's evening gown, I think this is a win. Nothing fancy, just simple. And that's how I like it. I'm not big on embellishments or patterns or decorations, so this baby is my cuppa tea. I think I'll make a sash with a big droopy bow in the back for it, though. Just a touch of cutesy.
And I'm out...
Saturday, April 27, 2013
My First 1930's Dress
My Dickens Dress
So, I participate in the Great Dickens Christmas Fair in the San Francisco Cow Palace. It's a bloody good time. This past season was my second and I had a new character, so I had to make a new costume. I was originally going for late 1830's, but it just ended up being a frickin mish-mash of eras and styles. The costume directors want us to keep our costumes to the bell-era (roughly 1842-1864). My deviating dress style kind of bothers me, but I'm proud of the learning experience and still had a great time.
I found a decent bright red cotton sateen at Joann's and set to work. I had limited time and I hate working under pressure, but that's how it went. I got all this inspiration for the sleeves from late Regency fashion for the puff sleeves, but I wish I'd just stuck with the slopping shoulders of the mid-Victorian era. I used Laughing Moon's Early 1860's Day Dress for the bodice pattern, but altered it a lot, obviously. For the skirt-the basics. Just two panels of fabric cartridge pleated onto a waistband. I really do like cartridge pleats. I padded them a bit with just a layer of cotton folded under them. Dunno if I like the effect still. It does give me some nice hips, seeing as I lack in that department in actual anatomy.
Through the run of Fair, I switched between wearing a weird modern crinoline-poufy-thing, a small hoop, and a corded petticoat under the skirt. The crinoline was crap, kept getting weighed down. I think my material is a little heavy, though. The hoop was nice, but I don't like how much room it takes up backstage and for sitting and such. I only got the corded petticoat done like halfway through the run, so it didn't get as much use, but I like the effect best. I didn't starch it, so it did cause my skirts to droop a little bit, but I plan to supplement that next year by making a bum pad and starching and maybe a ruffled petticoat in a stiff fabric on top of the corded. I really like the shape of skirts in the 1840's, so that's what I'll go for.
Enough talk, here are the photos. I decided to use this dress for my Concentration, because, what the hey, might as well. One less dress to make.
That's all for this little dressy for now, folks. All in all, good learning experience!
I found a decent bright red cotton sateen at Joann's and set to work. I had limited time and I hate working under pressure, but that's how it went. I got all this inspiration for the sleeves from late Regency fashion for the puff sleeves, but I wish I'd just stuck with the slopping shoulders of the mid-Victorian era. I used Laughing Moon's Early 1860's Day Dress for the bodice pattern, but altered it a lot, obviously. For the skirt-the basics. Just two panels of fabric cartridge pleated onto a waistband. I really do like cartridge pleats. I padded them a bit with just a layer of cotton folded under them. Dunno if I like the effect still. It does give me some nice hips, seeing as I lack in that department in actual anatomy.
Through the run of Fair, I switched between wearing a weird modern crinoline-poufy-thing, a small hoop, and a corded petticoat under the skirt. The crinoline was crap, kept getting weighed down. I think my material is a little heavy, though. The hoop was nice, but I don't like how much room it takes up backstage and for sitting and such. I only got the corded petticoat done like halfway through the run, so it didn't get as much use, but I like the effect best. I didn't starch it, so it did cause my skirts to droop a little bit, but I plan to supplement that next year by making a bum pad and starching and maybe a ruffled petticoat in a stiff fabric on top of the corded. I really like the shape of skirts in the 1840's, so that's what I'll go for.
Enough talk, here are the photos. I decided to use this dress for my Concentration, because, what the hey, might as well. One less dress to make.
| I fixed the hem shortness later. |
| Me want my skirt poufier... |
| Period-correct faux-button closure. Hooks and eyes! |
| What lies underneath... |
Labels:
Concentration,
Dickens Fair,
Undies,
Victorian
Friday, April 26, 2013
Quick and Dirty Regency Dress
I had a Regency ball I went to a while back and I, not owning a single article of Regency clothing, set out to make a quick, simple dress. I also needed another dress for my Concentration, so it all worked out. I don't particularly like Regency, but felt it was worth the learning experience.
My mom got me these blue, synthetic taffeta-like curtains a while ago. God, I love her. So thoughtful. She thought I could make something fun out of them. I don't usually go for synthetics, but these worked perfectly! Thanks, Mom, you're the best!
I vaguely used the pattern for the 1806-09 from Janet Arnold's book. It's a pretty good size for me (5'1'' here), but the shoulders/decolletage of the original wearer of the gown must have been very wide-set indeed. The only part of the pattern I really used was the back pieces for that classic Regency style and the gathering detail of the front.
I used a little Romantic-era blouse I made ages ago. One of my first sort of learning pieces. The overalls style is something I've seen in a few fashion plates and period pieces, so I figured it was relatively historical. I think it's cute as hell, anyway. It's all hand-sewn, which is historical as %$*@, so that's a plus.
Ta-da! Yay! Finita!
My mom got me these blue, synthetic taffeta-like curtains a while ago. God, I love her. So thoughtful. She thought I could make something fun out of them. I don't usually go for synthetics, but these worked perfectly! Thanks, Mom, you're the best!
I vaguely used the pattern for the 1806-09 from Janet Arnold's book. It's a pretty good size for me (5'1'' here), but the shoulders/decolletage of the original wearer of the gown must have been very wide-set indeed. The only part of the pattern I really used was the back pieces for that classic Regency style and the gathering detail of the front.
I used a little Romantic-era blouse I made ages ago. One of my first sort of learning pieces. The overalls style is something I've seen in a few fashion plates and period pieces, so I figured it was relatively historical. I think it's cute as hell, anyway. It's all hand-sewn, which is historical as %$*@, so that's a plus.
Ta-da! Yay! Finita!
Saturday, March 30, 2013
Well, I'm Back...
Yeah, I've been lame and have hardly touched my blog for a couple months now. Life gets crazy, especially with senior year of high school. Here I am now, filling you in on what I've been up to these past couple of months....
The finished 1830's Periwinkle:
The very rough concept sketch for my Prom Pretty Woods dress:
I bought the silk for it! It's this brilliant turquoise dupioni. I really like the texture the slubs give it.
The vintage shoes I found online didn't work out, so I decided on some repros! American Duchess does some of the finest historical shoe reproductions I've ever seen. I order the 1920's Spectators, "23Skidoo" and absolutely love them! Great work.
The finished 1830's Periwinkle:
(Yeah, the back is messed up at the top eyelets, but I'll fix that later.)
Cartridge pleats! My favorite kind!
I bought the silk for it! It's this brilliant turquoise dupioni. I really like the texture the slubs give it.
The vintage shoes I found online didn't work out, so I decided on some repros! American Duchess does some of the finest historical shoe reproductions I've ever seen. I order the 1920's Spectators, "23Skidoo" and absolutely love them! Great work.
That's the damage for now, but here's sneak peak for my next dress:
I call her "Moon Lady"
Labels:
1830s,
1920s,
1930s,
Concentration,
Pretty Woods,
shoes
Thursday, February 7, 2013
Concentration Musings
I've been having so much fun just thinking up the other dresses
for my Concentration! Haven't decided them all yet, but here are some
brainstorming bits:
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| This sorta is a good visual...I had this dream of a violet velvet 1930s dress with some fun sleeves. |
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| I ordered some vintage 20s shoes on eBay that look a bit like these with the side details, except in ivory leather and a bit more elegantly shaped (maybe to wear with my Pretty Woods dress!) |
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| And then I got really inspired by these gloves Amanda Seyfried wears in In Time. |
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| They loose the hand part of them when she's on the run, to still cover her "timer". |
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| I think they're leather or some kind of fabric, but I plan to make some ivory silk ones to go with my Pretty Woods. I love the way they bunch up at the wrists! |
Labels:
1920s,
1930s,
Concentration,
movies,
Pretty Woods,
shoes
Tuesday, February 5, 2013
Concentration Dress #2: 1920s Pretty Woods
The next dress on my list is inspired by a 1923 Robe de Style by Jean Lanvin titled "Pretty Woods". Lanvin designed some really lovely Robes de Style and I wanted to try my hand at making one. It's to be my senior prom dress and I'm very excited about it! Here's the dress:
Monday, February 4, 2013
Concentration Dress #1: 1830s Periwinkle
My first dress I am tackling for my AP Art Studio concentration (six pieces total!) is an early 1830s day dress. I'm using a lovely periwinkle medium-weight cotton and a white cotton for the lining. Here are some early inspiration photos:
And an early concept sketch on mine:
As for a pattern, since I'm not the most skilled at draping yet, I'm using Truly Victorian's Early 1830s dress pattern with Gigot sleeves for daytime wear. The bodice is heavily altered, 1) because I didn't want a gathered bertha/neckline thing and 2) because I am petite, which entails a lot of alterations in fitting and 3) I wanted a laced back instead of a hook and eye closure.
I traced my corsetted size from the bodice pattern on large tracing paper, sewed the mock-up, and pinned on the back and spent a while adjusting where the darts would be and fixing the shoulders and waist height to my shrimpy proportions. Mum was great help with pinning me into it. Once we had the right alterations, I ripped all the seams out and used the flat mock-up pieces as my new pattern to cut my fashion fabric and lining from. I sewed the fashion fabric pieces together, but got delayed sewing the lining, because I lost one of the pieces in my monstrously messy bedroom. I had plenty lining left, so I re-cut it later.
Then, I set to stitching boning channels to the seam allowances inside the bodice. Still finishing that up:
That's as far as I've got on the bodice, but I picked out a lovely buckle and olive-grey velvet ribbon for the belt. Belts were a thing back then, right? I like it, anyhow:
That's all I got for now. Will post about the sleeves and skirt later. Till then...
![]() |
| via Behind the Tapestry blog |
![]() |
| via Annie Leibovitz for Vogue |
![]() | |||
| via pinterest |
I traced my corsetted size from the bodice pattern on large tracing paper, sewed the mock-up, and pinned on the back and spent a while adjusting where the darts would be and fixing the shoulders and waist height to my shrimpy proportions. Mum was great help with pinning me into it. Once we had the right alterations, I ripped all the seams out and used the flat mock-up pieces as my new pattern to cut my fashion fabric and lining from. I sewed the fashion fabric pieces together, but got delayed sewing the lining, because I lost one of the pieces in my monstrously messy bedroom. I had plenty lining left, so I re-cut it later.
Then, I set to stitching boning channels to the seam allowances inside the bodice. Still finishing that up:
| Channels will be on every seam. |
| Close-up. |
| The thread is some upholstery thread I'll be using for the cartridge pleats on the skirt. |
| And some new embroidery things. I'm trying my luck at hankerchief embroidery... |
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