So, I participate in the Great Dickens Christmas Fair in the San Francisco Cow Palace. It's a bloody good time. This past season was my second and I had a new character, so I had to make a new costume. I was originally going for late 1830's, but it just ended up being a frickin mish-mash of eras and styles. The costume directors want us to keep our costumes to the bell-era (roughly 1842-1864). My deviating dress style kind of bothers me, but I'm proud of the learning experience and still had a great time.
I found a decent bright red cotton sateen at Joann's and set to work. I had limited time and I hate working under pressure, but that's how it went. I got all this inspiration for the sleeves from late Regency fashion for the puff sleeves, but I wish I'd just stuck with the slopping shoulders of the mid-Victorian era. I used Laughing Moon's Early 1860's Day Dress for the bodice pattern, but altered it a lot, obviously. For the skirt-the basics. Just two panels of fabric cartridge pleated onto a waistband. I really do like cartridge pleats. I padded them a bit with just a layer of cotton folded under them. Dunno if I like the effect still. It does give me some nice hips, seeing as I lack in that department in actual anatomy.
Through the run of Fair, I switched between wearing a weird modern crinoline-poufy-thing, a small hoop, and a corded petticoat under the skirt. The crinoline was crap, kept getting weighed down. I think my material is a little heavy, though. The hoop was nice, but I don't like how much room it takes up backstage and for sitting and such. I only got the corded petticoat done like halfway through the run, so it didn't get as much use, but I like the effect best. I didn't starch it, so it did cause my skirts to droop a little bit, but I plan to supplement that next year by making a bum pad and starching and maybe a ruffled petticoat in a stiff fabric on top of the corded. I really like the shape of skirts in the 1840's, so that's what I'll go for.
Enough talk, here are the photos. I decided to use this dress for my Concentration, because, what the hey, might as well. One less dress to make.
That's all for this little dressy for now, folks. All in all, good learning experience!
I found a decent bright red cotton sateen at Joann's and set to work. I had limited time and I hate working under pressure, but that's how it went. I got all this inspiration for the sleeves from late Regency fashion for the puff sleeves, but I wish I'd just stuck with the slopping shoulders of the mid-Victorian era. I used Laughing Moon's Early 1860's Day Dress for the bodice pattern, but altered it a lot, obviously. For the skirt-the basics. Just two panels of fabric cartridge pleated onto a waistband. I really do like cartridge pleats. I padded them a bit with just a layer of cotton folded under them. Dunno if I like the effect still. It does give me some nice hips, seeing as I lack in that department in actual anatomy.
Through the run of Fair, I switched between wearing a weird modern crinoline-poufy-thing, a small hoop, and a corded petticoat under the skirt. The crinoline was crap, kept getting weighed down. I think my material is a little heavy, though. The hoop was nice, but I don't like how much room it takes up backstage and for sitting and such. I only got the corded petticoat done like halfway through the run, so it didn't get as much use, but I like the effect best. I didn't starch it, so it did cause my skirts to droop a little bit, but I plan to supplement that next year by making a bum pad and starching and maybe a ruffled petticoat in a stiff fabric on top of the corded. I really like the shape of skirts in the 1840's, so that's what I'll go for.
Enough talk, here are the photos. I decided to use this dress for my Concentration, because, what the hey, might as well. One less dress to make.
| I fixed the hem shortness later. |
| Me want my skirt poufier... |
| Period-correct faux-button closure. Hooks and eyes! |
| What lies underneath... |















